Genre Theory
Section A of the exam and coursework
Bastille –
Indie Pop rock
Jay z – Rap,
hip hop
Beyonce –
RnB pop
Genre is not
as simple as we think because an artist may have a perception of what genre
they want their music to be which may be different to the public’s opinion. Not
only that, but the public also have different ideas on what genre is. Sometimes
artists break conventions, creating new genres or changing genre. The opinion
of each genre has changed over time.
Genre conventions vs Form Conventions
Genre
conventions are what we expect to see in a genre of music. Form conventions are
what we expect to see in the video. The conventions of genre can link to the
conventions of form.
Genre
Audiences
develop expectations and recognise they can be gratified and feel fulfilled
when they find a genre they like and enjoy.
- · Characters
- · Plots, situations, issues and themes (of music video)
- · Locations and back drops
- · Props and signifiers
- · Music and sound (style of music)
- · Generic conventions (4/5 members in a girl group)
Why is genre important?
For producers it is good because:
- · It creates a pattern for what audiences want
- · Establishes audiences
- · Producers can become specialised within a genre
- · Stars can associate themselves with certain genres for a fan base to associate them with
- · Audiences become familiar with conventions with a genre
For Distributors:
- · Clear channels for marketing and distribution
- · Can target fans to buy other texts or listen to different artists in the same genre
- · Provides structure for distributors
Theorists:
- · Daniel Chandler – Themes/style and structure
- · Steve Neale – Genre as repetition and difference
- · David Buckingham – Constant process of negotiation and change
- · Rick Altman – Offering audiences a set of pleasures
- · David Bordwell – Any theme may appear in any genre
- · Jason Mittell – Industries use genre to sell products to audience
Daniel Chandler:
Genres have
particular conventions of content tuch as themes, setting and form. When texts
share these features they become a genre and recognisable. Having themes and
settings we understand the form.
Participation
and Position – “Every genre positions those who participate in a text of that
kind as interviewer of interviewee, a listener or story teller, a reader or
writer, as someone who is an instructor or instructs”. Daniel Chandler.
If we
associate with a genre, we are likely to consume it.
Steve Neale:
Looks at
genre as repetition and difference. ‘Genres are instances of repetition and
difference’. ‘Difference is absolutely essential to the economy of genre’.
What does
repetition and difference mean? A film must conform to these conventions enough
so it can still be identified.
David Buckingham:
Genre
doesn’t change but updates itself as society updates itself
“Genre is
not simply given by the culture: rather, it is in a constant state of
negotiation and change”.
For example,
the videos rhythm is a dancer and f is for you share similarities and
differences in the video of how the techno and dance has changed over time.
Rick Altman:
Semantics or
semiotics are signs to represent language relationg to meaning in logic or
language. Semantic example – a truck in a country video.
The
Syntactic approach is a set of rules and processes in terms of order of
narrative. It links to the structure of the narrative. For example, a love
story would be two strangers meet, can’t be together, fall in love, live
happily ever after.
Emotional Pleasures: The emotional pleasures offered to
audience of genre films are particularly significant when they generate a
strong audience response.
Visceral (instinctive) pleasures: Visceral pleasures are ‘gut’/instinct
responses and are defined by how the film’s stylistic construction provokes a
physical effect upon its audience. This can be a feeling of disgust, happiness or
a ‘roller coaster ride’.
Intellectual Puzzles: Certain genres make us feel like
watching them because with have a subconscious thought to want to figure out
the resolution of the film.
We consume a
media text to feel emotion and to connect with a text.
David Bordwell:
Any theme
may appear in any genre. Theme examples – love, hate, revenge. Themes are a
particular subject or issue that is discussed often or repeatedly: the
particular subject or idea on which the style of something.
Genres have
different themes however a theme is not restricted to one genre.
David Mittell:
Themes:
- · Resurrection
- · Transformation
- · Vengeance
- · Innocence
- · Justice
- · Sacrifice
- · Love
- · War
- · Underdog
- · Rescue
- · Discovery
Themes can
have conventions of form:
- · For example colour filters
- · Character positioning
- · Colour of set
- · Costumes
- · Body language
- · Shot types etc
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